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BOOKS In My Fiction Collection-REVIEWS

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I absolutely loved reading this series of The Rock and The Rose Saga … I have just finished reading Book ll Within Me An Invincible Summer and Book lll Knowing She Hath Wings.

(My review of Book l The Infinite Passion of Life) HERE: https://frandi.wordpress.com/2020/12/29/the-infinite-passion-of-life-by-d-j-paolini-a-book-review/

I fully recommend these books to anyone who loves everything Italian, including the language. The author, D.J. Paolini, combines historical and current world events, intertwined with an intriguing multi-generational ongoing family saga. Added to the Italian family saga, Lebanon the country, and its language, heighten the intrigue around friendships, romance, and political affairs.

Coming from a Lebanese Italian family and heritage myself, along with their inherent tragedies and emotional dramas, not to mention the mixed languages, I could relate so well to all of these stories.

Read the whole series, I urge you. – Anne Frandi-Coory

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The Infinite Passion Of Life is a compelling story, set in real locations in Northern Italy, where life is accurately portrayed in language, idioms, places and historical events.  The author, D.J. Paolini,  lays bare  the passions,  theatrics and dramas that members of Italian families experience  on a near daily basis. Anyone not born into an Italian extended family such as Angelina’s,  probably wouldn’t  hang around for long after witnessing some of the dramas, unless of course they loved Angelina with a passion and were prepared to fight for her.  Maybe that’s why Italian fathers prefer arranged marriages; they last longer because the chosen groom knows what to expect, and he is given free reign by the bride’s father to exert absolute control over his daughter, just like he had.

But what actually happens when a knight in shining armour like Benjamin does arrive unexpectedly upon the scene? The big question is, can his love for Angelina  survive  her fiery emotions, and her troubled generational family history? Then there is her ever present, and sometimes threatening  godmother, Valentina, whose long career in law enforcement only adds intrigue to her mysterious past which  also involves  Angelina’s mother from the time they were teenagers.  What secrets lie hidden?

The Infinite Passion of Life does indeed reveal lives lived with infinite passion, an Italian family saga that has all the usual ingredients of brutal husbands, arranged marriages, Catholicism, fiery emotions, long held family secrets. I should know; my Italian mother, like Angelina, was a beautiful redhead and in my own experience of Italian life and culture, a handsome young man exuding sexuality and  independence seeking a daughter’s hand in marriage, can cause a family eruption of volatile emotions and inter-familial warfare affecting succeeding generations like ripples in a pond. 

The author has arranged the book chapters in an interesting pattern and I love the Italian phrases dotted throughout this book …my favourite foreign language and the one I have studied out of pure love, so in my view, it adds a richness to the reading experience.

More HERE on Amazon: https://www.amazon.com/Infinite-Passion-Life-Rock-Rose/dp/1736119516

I am so looking forward to reading Books ll & lll: Within Me An Invincible Summer and Knowing She Hath Wings in THE ROCK & THE ROSE SAGA

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Winner of THE PEGASUS PRIZE FOR LITERATURE …

 

 

Mario De Carvalho’s book A God Strolling in the Cool of the Evening is well researched which is apparent when he takes the reader back to Rome around the time of Jesus.  The narrator is a Roman provincial official with whom we travel on  his rounds of duties in the township where he lives, in amongst slaves and the rest of the populace.

We learn how Roman officials spent their days and how they treated their women and their slaves.  He describes in detail his living quarters and official buildings and how governing decisions of the time were reached.  The book is  set in the era of Jesus’ preaching and that of his ragtag bands of followers.  Rome was then suspicious of their motives, before the time when Rome would eventually embrace this new religion as the state’s own.  Added to that, many felt threatened and alarmed by the way these ‘new sect’  devotees dressed and behaved.  It just wasn’t the Roman way.  Persecutions and killings of Jesus’  followers was rife but in spite of this, the bands grew in number and they willingly became martyrs for their new beliefs; they felt close to Jesus  spiritually, copied his  acts of compassion for the poor.  His God seemed a more humane one than the various Roman gods.

Rome and her officials were sinking into corruption and the poor suffered greatly at their hands.  For a Roman official to speak out for a pleb or a slave, was not self-serving; demotion or exile from one’s town,  often both,  would be the outcome.

This is a novel which offers a colourful insight into the beginnings of Christianity and the twilight years of the Roman Empire; although the second edition was published in 1999 it is still relevant, and a great read, today.  The Roman Catholic Church grew from these humble and dark beginnings into the massive and wealthy ’empire’ it is today.

The Daily Telegraph described Carvalho as: ‘…a storyteller of genius who has brought the dead past to thrilling life.’ That he has.

-Anne Frandi-Coory.  22 January 2020

The Somnambulist by Essie Fox

 

Essie Fox has written a powerful Victorian novel, set in Hertfordshire in London’s East End; the writing so vivid that the reader can almost hear carriage wheels riding over ancient cobblestones, and easily imagine the incessant fog conjuring up ghostly figures and eerie lighting. The Somnambulist is a moody and nostalgic tale of obsessive love and betrayal, full of unexpected twists and turns, eventually revealing the truth behind family mysteries and dark intrigue.

The young and naïve protagonist Phoebe Turner captivates the reader as soon as she arrives on the scene. And then there is her beautiful, sensuous aunt Cissy who rescues Phoebe from a suffocating life of religious fervour and introduces her to the wonderful world of the music hall stage, passionate men and the intense spiritualism that pervaded the Victorian era. Docks, music halls, and graveyards add to the Gothic atmosphere of the tale. Mysterious men with past connections to Cissy and the Turner family seem to pop up everywhere only to confuse Phoebe even more. And why do the dead exert such influence over the living? As Phoebe grows into womanhood, she begins to learn more about the secrets of the past, only for tragedy to strike again.

I love the way Essie Fox weaves her Gothic tale around the haunting painting of the same name:     ‘The Somnambulist’ by Pre-Raphaelite artist John Everett Millais.

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The painting overshadows the goings-on in the Turner household and Phoebe is haunted by it, often dreaming about the sad woman wandering the dark cliffs, seemingly alone. But is she alone? Phoebe suspects that it is a painting depicting her adored aunt Cissy in the role. She often wishes Cissy was her mother instead of Cissy’s much older sister the religious zealot, Maud, whose life is devoted to converting heathen men and women, including whores, to a life with Jesus, and to preventing Phoebe from falling into the evil abyss like Cissy has done, due to her life on the stage in music halls surrounded by loose women and ‘dangerous’ men.

When seventeen-year-old Phoebe visits Wilton’s Music Hall with her Aunt Cissy, her life changes forever, and she risks the angry preaching of Maud who marches with the Hallelujah Army, and who besiege the streets calling for all London theatres and music halls to close.

Actually, the plot may be set in the Victorian era, but I can relate to Phoebe as a 17 year old, lied to, had her parents stolen from her because of some Christian hypocrites who long ago made the decision to keep Phoebe in the ‘dark’ about her true parentage. The plot is not that far-fetched as far as family intrigue goes, in my view, but what Fox has achieved in ‘The Somnambulist’ is the clever weaving of many layers intertwined with mystery and subterfuge all the while evoking emotion and sympathy from the reader toward Phoebe, and also toward her aunt Cissy, both of whom seem to be doomed to a life filled with deception, regret, betrayal, and loss.

Since reading ‘The Somnambulist’ and ‘The Goddess and the Thief’ by Essie Fox, I have now catapulted her into ‘My Favourite Authors’ category which is unusual as my most read genre is non-fiction and some historical fiction. Although, I would classify this wonderful book as Victorian historical fiction, interlaced with thespian dramatics and spiritual effect.

-Anne Frandi-Coory 19 December 2018

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The Goddess And The Thief by Essie Fox …read my review here:

 

Anne Frandi-Coory Reviews of Books in My Collection here on facebook:

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A friend recently introduced me to author Essie Fox and I’m so glad she did. The first of Fox’s books that I have since read, is The Goddess And The Thief and I am so looking forward to reading another of her books The Somnambulist.

The Goddess And The Thief  is set in the time of Queen Victoria, when Great Britain was in the throes of plundering India and exiling the Maharajah (Great Ruler) with the inestimable assistance of the Honourable East India Company, during the early days of the British Empire. This very fine example of a well researched historical novel is my favourite genre; a way of learning about world history via a great story.

I wouldn’t be at all surprised if Essie Fox was herself a Hindu goddess …every line she has written in this book, is evocative of wonderful, sumptuous India, juxtaposed with the corset-laced Victorian age;  an era fixated with death, opium and all things exotic.

Readers will be able to instantly identify with the motherless heroine, Alice, who after her father had died, moved permanently back to Windsor, England. Hindu mysticism along with childhood memories of India travel over the seas with her; apparent reincarnations and a sculptured goddess whose eyes appear to follow her every move in her father’s house, confuse Alice.  And her Aunt Mercy, who at best is ambivalent towards Alice, is obsessed with the mysterious and intense Lucian Tilsbury.  When the troubled Alice reaches her teens, she finds herself reluctantly attracted to him, also a little afraid of the intense, sexual affect he has on her, no matter how much she fights it.  What are Tilsbury’s true intentions? Why are her aunt and Tilsbury so intent on stealing the Koh-i-Noor diamond from Queen Victoria and returning it to India where he believes it rightfully belongs and which Britain had claimed as its own at the end of the Anglo-Sikh wars? There is also mystery surrounding Mini, her ayah, whom Alice adored. Her heart broke when she had to leave her behind in India, and she yearns to return to be re-united with her beloved Mini, whose parting gift was a bangle made of glass beads and sacred brown rudraksha seeds, given with her last words:

Always wear this my dearest, it shall be a token of our love. And every time you touch a bead you shall know that Mini thinks of thee, and that Mini shall be praying still for her beloved’s safe return.

Aunt Mercy, a spiritualist medium, wants Alice to be her assistant during séances held for broken-hearted women, including Queen Victoria, who has a compulsive yearning to re-connect with her beloved Prince Albert who has recently died so young. Although Alice agrees to aid her aunt during séances initially, she finds the experience unnerving and unethical, and the relationship between Alice and her demanding aunt deteriorates rapidly. Mystery and suspense evocative of India fill every page of this book, and Fox’s superb writing sucks the reader into the sensuous depths of this beguiling story. I especially loved Fox’s use in the book of asides with such titles as The Letter Never Sent and The Prayer Never Answered to unobtrusively give the reader some insight into the past.

Eventually Alice begins to experience bizarre ‘dreams’ in Mercy’s house and later in Tilsbury’s,  where he eventually confines her in a strange bedroom under what she believes is some sort of spell,  although the stupor that envelops her renders her unable to think clearly.  Added to that, ghosts appear in odd places, seemingly to warn Alice of danger. Statues of the goddess Parvati and her consort Shiva sometimes seem to move; are they just figments of her vivid imagination, reincarnations if you will, of the stories Mini used to tell her?

There is no-one apart from Mrs Morrison, Aunt Mercy’s cook, who Alice feels she can trust. But then, how can she find the words to explain the mysterious and devastating effect that Lucian Tilsbury has over her body and soul?

 

Anne Frandi-Coory – 25 September 2018

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The Somnambulist by Essie Fox…read my review here: 

  

Will our heroes find the object they need to find in order to complete the next step in their quest?

 

One relic found and another to locate, or so that’s what Evan thought, it’s what his “father” Zeus told him when he dumped him in world and time so far removed from the twenty-first century. What if he doesn’t find the sacred objects? Will he be trapped forever in this forsaken age? Join Evan and his companions as they continue their epic odyssey, traversing the ancient world in search of powerful icons that even the gods are frightened of.

 

In

The Labyrinthine Journey

 will reluctant modern day hero, Evan and his friends succeed in finding the relics to stop the advent of Christianity?

The odyssey continues. Will Evan succeed in his quest to find the relics and go home?

The quest to locate the sacred object adds pressure to the uneasy alliance between Evan and the Atlanteans. His inability to accept the world he’s in, and his constant battle with Zeus, both threaten to derail the expedition and his life.

Traversing the mountainous terrain of the Peloponnese and Corinthian Gulf to the centre of the spiritual world, Evan meets with Pythia, Oracle of Delphi. Her cryptic prophecy reveals much more than he expected; something that changes his concept of the ancient world and his former way of life.

You can buy book l and ll here on Amazon: https://www.amazon.com/Labyrinthine-Journey-Servant-Gods-Book-ebook/dp/B075QGZQP9

Read more here about Book l of The Odyssey:

‘The Search For The Golden Serpent’

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Historical fiction novelist and a secondary teacher, Luciana Cavallaro,

likes to meander between contemporary life to the realms of mythology and history.

Luciana has always been interested in Mythology and Ancient History but her passion wasn’t realised until seeing the Colosseum and the Roman Forum.

From then on, she was inspired to write Historical Fantasy.

She has spent many lessons promoting literature and the merits of ancient history. Today, you will still find Luciana in the classroom, teaching and promoting literature. To keep up-to-date with her ramblings, ahem, that is meanderings, subscribe to her mailing list at

http://www.luccav.com.

 

You can connect with her via:

Website www.luccav.com

Twitter https://twitter.com/ClucianaLuciana

Facebook https://www.facebook.com/pages/Luciana-Cavallaro-Writer/304218202959903?ref=hl

LinkedIn http://www.linkedin.com/profile/view?id=242021145&trk=nav_responsive_tab_profile_pic

 

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I have just finished reading Apollo’s Raven, and I absolutely loved it, every single, beautifully placed word! I didn’t want the book to end, so I am hanging out for Book Two. When I first began reading Apollo’s Raven, I had no idea of what to expect, not knowing very much about ancient Britannia, or the power of Druid magic.  Reading this wonderful book, was akin to embarking on an epic journey of love, betrayal, mysticism, and Druid’s dark magic, all of which surrounds Catrin, the Celtic warrior princess who was determined to fight for her family’s Cantiaci kingdom, no matter what.

As Catrin is struggling to interpret her mystifying connection with a particular raven, which seems to be following her everywhere, she meets the captivating Roman, Marcellus, son of a high ranking Roman official who has landed in Britannia with a cohort of reconnaissance soldiers ahead of an invasion-ready legion. As a result, distrust is fomenting between two Celtic kingdoms and among members of their royal families. Torn between loyalty to her father, King Amren, and her forbidden love for Marcellus, she finds her inherited gift/curse of ancient Druid magic sometimes a hindrance, often life-saving.

Britannia is being battered not only by warring tribes and invaders, but by warring families! The burgeoning influence of patriarchal Rome’s empire is beginning to threaten some and create thoughts of treachery in others, while elements of dark magic and mystery surround a trusted druid, who perhaps shouldn’t be trusted at all. Then there are historic prophesies and curses returning to haunt Catrin and her family, including the terrifying shape-shifting ability of her murderous half-brother. Catrin’s  father places his utmost trust in the Druid, Agrona, but is she who she once was?

The political and romantic turmoil requires the teenage Catrin to use all of her fierce physical prowess and intelligence to quell the uprising of violence and intrigue between her father’s kingdom and that of a rival king’s. The visible presence of Roman soldiers in the surrounding countryside is inflaming the rivalry between the two kingdoms and their respective royal families. Not only that, both Marcellus and Catrin are seemingly cursed by the misdeeds of their respective ancestors.

An unpredictable, spell-binding tale, made so much richer by the historical integrity of the research carried out by the author, Linnea Tanner.

I cannot wait to read the next book in the series:  Dagger’s Destiny

Dagger's Destiny

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-Anne Frandi-Coory 19 August 2017

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Dear Penny

I just had to put this down on paper, because I know you love Elena Ferrante’s books as much as I do.

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Frantumaglia…wow Penny, I don’t know if you have read this book, but Elena Ferrante’s words keep punching me in the stomach.
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As you know, Frantumaglia translates into English as ‘a jumble of fragments’ but this book is far from a jumble. I don’t read a lot of modern fiction because I find that non-fiction has more ‘punch’ ’emotion’ and less hollow creative writing. But much of Ferrante’s life is in her books of fiction; so much of the streets of Naples, and of course, so much about our mothers. I can identify with what she says, even though I spent my infancy and childhood only with nuns, while dolls were my security until my teens. I was close to no females until the birth of my daughter when I was 23 years old… and as Ferrante says: “Dolls are not merely a miniaturisation of the daughter. They can be stand-ins for women…” Perhaps real women was what I needed, women whose bodies I could see?  Ferrante talks at length of the ‘shapelessness’ of mothers’ bodies, and I know full well what she means, although in a completely different context. And of course, nuns were also subservient to their men; god in heaven, priests and bishops here on earth!
I had decided, after reading the Neapolitan Novel Quartet  and The Days Of Abandonment not to read Ferrante’s two other earlier books Troubling Love and The Lost Daughter. That is until I read Frantumaglia; then, how could I resist?
Ferrante says of mothers she knew in Naples, including her own: ‘They are cheerful and foul-mouthed women, silent victims, desperately in love with males and male children, ready to defend and serve them even though the men crush and torture them to become even more brutish. To be female children of these mothers wasn’t and isn’t easy. Their vital, obscene, suffering subjugation, full of plans for insurrection that end in nothing, makes both empathy and disaffected rejection difficult. We have to escape from Naples [Italy] to escape from them as well. Only later is it possible to see the torture of women, to feel the weight of the male city on their existence, feel remorse of having abandoned them, and learn to love them, to make them, as you say, a point of leverage in order to redeem their hidden sexuality, and start again from there.’ And in my case, to forgive them.
Frantumaglia – A Writer’s Journey, is a collection of correspondence between Ferrante and her Italian publishers,  interviews with film makers, and responses to readers’ questions, all conducted by email through her publishers to protect her anonymity. Every piece of writing in the form of correspondence between Ferrrante and her readers is full of passion, and I believe, she exposes her very soul to us. Here is an example in which Ferrante discusses with a reader, her insights into the fragmentation felt by mothers. Her own mother used the term ‘frantumaglia’ to explain her feelings of ‘disintegration’. The Days Of Abandonment is the story of Olga’s slow disintegration and fragmentation after her husband informs her that he is leaving her and their children for a much younger woman.
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Interviewer: Do you think that this emotional journey, this coming apart into a jumble of fragments and then putting oneself back together, is an inevitable passage in the lives of women, with or without analysis?
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Ferrante: In the women I feel close to it was. In some cases it seemed to me that feeling literally in pieces could be traced back to that sort of original fragmentation that is bringing into the world-coming into the world. I mean feeling oneself a mother at the price of getting rid of a living fragment of one’s own body; I mean feeling oneself a daughter as a fragment of a whole and incomparable body. 
Ferrante then goes on to say: What counts in the end is the collective flow of generations. Even when there is both merit and luck, the efforts of a single individual are unsatisfying.
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Ferrante could easily have been writing about my Italian mother, grandmother and great grand grandmothers. I researched and studied their lives from their childhoods, to try and understand why my own mother abandoned me in an orphanage, and why so many mothers in my family tree had such fragmented and brutal lives. Everything Ferrante writes deeply resonates within me. Thank you Penny, for introducing me to Elena Ferrante.
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-Anne Frandi-Coory 13 February 2017

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Damascus Gate 

by Robert Stone

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What is it about authors who have been incarcerated in Catholic orphanages and other religious institutions during their formative years? This is another book I found at Clunes Book Festival in Victoria and I wonder, is it the title that attracted me or the intense stories about faith written within its pages? The author Robert Stone has himself a past bathed in religious upheaval and search for identity. He was raised by his schizophrenic mother until he was five, when she was committed to an asylum for the insane. Five year old Robert, whose father abandoned the family, was then taken in by a Catholic Orphanage, who Stone describes as having the ‘social dynamic of a coral reef’. The violence the boy experienced at the hands of men posing as carers, is a heart rending story retold many times over by children raised in religious institutions.  I think it must be the passion and fearlessness with which these authors take on ‘taboo’ subjects that attracts my undivided attention. Someone wrote that books, once written, have no need of their authors. That is true enough, but I must admit to seeking out most books by author, rather than title or genre. I like to know more about the background of the author, particularly if a book has had a deep effect on me, and Damascus Gate is just such a book.   You can never judge a book by its cover in my view, especially when it’s a good read you are looking for.

At the centre of the Damascus Gate story is struggling free-lance journalist, Chris Lucas (Catholic mother, Jewish father), who teams up with a psychiatrist in Jerusalem to write a book about religious zealots, some insane, of all persuasions who come to the Holy City to ‘find the truth’ a condition labelled the ‘Jerusalem Syndrome’. The two men enlist the help of an archaeologist, who himself seems to have caught the ‘combative spiritualism’ endemic in Jerusalem. Little does Lucas realise that he is being followed, photographed and controlled by various groups fulfilling their own agendas. The Jerusalem Syndrome is a label attached to a group of mental phenomena involving the presence of either religiously themed obsessive ideas, delusions or other psychosis-like experiences that are believed to be triggered by a visit to the city of Jerusalem. Followers of the three Abrahamic religions of Judaism, Christianity and Islam can be equally affected by the syndrome. There is no doubt that with the Israeli army surrounding the city, and with its spies everywhere, the religion of Judaism appears to have the upper hand and control of the city and its environs with the help of its watch towers and road blocks at every twist and turn.  The best known manifestation of Jerusalem Syndrome is whereby a person who seems previously balanced and devoid of any signs of psychopathology becomes psychotic after arriving in Jerusalem. The psychosis is characterised by an intense religious mania and most often resolves to full recovery for the afflicted over time or immediately following their departure from the city.

Even those of little faith, or atheists, sense ‘there is something here in Jerusalem’, but what, they cannot say.

Damascus Gate is set in Jerusalem and surrounding areas, is fiction based on fact; we all know what a powder keg Jerusalem is with its struggle to contain the three religions within a relatively harmonious state. Making the situation even more volatile, are the various sects of Christianity, Islam and Judaism competing to have their ‘truth’ realised, even though archaeological proof is yet to be discovered for any of their respective claims. This book is a great read and highlights the sectarian differences between  Christians, Muslims and Jews whose followers all fight for supremacy over this small historically important city. Each sect has its own neighbourhood and if you’re not one of them, you are forewarned to avoid walking through its streets alone without an approved escort. It can be a very dangerous city and riots between Jews and Arabs can erupt at any time for the slightest of motives. Not only that, this fraught city attracts all manner of religious lunatics hell bent on ‘saving’ their respective Messiah’s or Holy Prophet’s relics from the infidel. Drugs, money and sexual favours add to the heady religious mix, and anything can happen at any time. Herman Melville’s quote sits revealingly on the front page of Damascus Gate: ‘Enigma and evasion grow; And shall we never find Thee out?’

A  Jewish extremist underground movement exists in Jerusalem and it aspires to rebuild the Temple. To achieve this, the mosques must be blown sky high. The Israeli Defence Force and Mossad know that if this happens Armageddon will erupt in Jerusalem which will surpass its many past destructions, the effects of which will be felt across the globe. There is not much going on in Jerusalem that these two forces don’t know about.  The tensions are deep and ancient, with their thousands of years of history fought over every day and at every religious festival. Serious political games are being played out at the very highest levels where murder, intrigue and ‘religious  authority’ are used to control and incite violence which is forever simmering at a very shallow depth beneath the surface of this ancient land.

Israelis and Palestinians both claim Jerusalem as their capital, and the state of Israel maintains its primary governmental institutions there. One of Israel’s Basic Laws, the 1980 Jerusalem Law refers to Jerusalem as the country’s undivided capital. All branches of the Israeli government are located in Jerusalem, including the Knesset (Israel’s parliament), the residences of the Prime Minister, President and the Supreme Court while the State of Palestine ultimately foresees the city as its seat of power. However, neither claim is widely recognized internationally. In latter years Muslim extremists have become more powerful and dangerous making Jerusalem even more volatile than ever. Staff of non-government organisations such as the UN and Save the Children, feature in this story and all play an integral part in the intrigue and hidden agendas.

One reviewer says of Damascus Gate: ‘Stone has a journalist’s eye for detail, but a novelist’s eye for irony’…and I believe that this is what makes the book such a great read. Stone manages to capture all the intrigue, all the religious fervour and menace in his words and all the while there is the ‘festering menace of Gaza’.

-Anne Frandi-Coory 23 January 2017

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The NEAPOLITAN NOVEL quartet

by Elena Ferrante

 

Elena Ferrante

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I have recently been introduced to Elena Ferrante novels, beginning with the Neapolitan Novel quartet: My Brilliant Friend, The Story of a New Name, Those Who Leave and Those Who Stay, and The Story of the Lost Child There is such an unsettling and brutal honesty in Ferrante’s writing, firstly about growing up poor and female in Naples, and subsequently trying to escape that seemingly inevitable life. The novels’ narrator, Elena Greco, recalls her childhood and her brilliant friend Lila, whom she at once loves and hates, first sexual experiences, the brutal men in their lives, their dreams of escaping the ‘neighbourhood’ and the fervent hopes that they will never become their mothers. Ferrante’s exquisite writing thoroughly engages the reader through girlhood fears, first boyfriends, harsh family lives, the deep seated religious division of whore and virgin, constant threats from local bullies, men and boys, and tensions of repressed sexual desires.

The mysterious author [Ferrante’s true identity is unknown] lays bare the psychological trauma of growing up female in the south; the culture of being owned by your father and then your husband. The expectation that a girl must get married, and bear children, the resultant crushing of her intellect and her creativity. There are only two ways to escape the hardships: excel at school, and gain access to universities and a better life in Pisa, Milan or Florence, even though every move to escape the inevitable life of poverty and domestic grind is greeted with age old suspicions and hatreds by family and friends. Elena Greco is one of the lucky ones. She excels at school, goes to university in the north, eventually marries into a well known northern Italian family, but is her life really any better than that of her brilliant friend Lila, who refuses to leave Naples? Lila chose instead to marry a local boy from a powerful, wealthy family, and even though she has sold her soul for a beautiful new house and everything that money can buy, her life becomes unbearable and the inherent dangers seem to multiply.

These novels contain the story of modern Italy…about those who left and those who stayed.

I have never read four books so quickly! I read all of the books with a total enthrall…impatiently wanting to do nothing else but be involved in the lives of Elena and Lila,  right to the very end.

-Anne Frandi-Coory 1 August 2016

 

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